Month: January 2013

Sing Sing Sing with The Three Belles – Nearly Sold Out – Rehearsal Piccies…

Another fascinating day with The Three Belles, Joe Bishop and Will Keel-Stocker today. Full rehearsal this time, with props and full stage layout.  The next time we work this, it will be at The New Theatre Royal in rehearsals on Saturday.

Here are some shots I snapped today:

Gail Prepares for the worst....
Gail Prepares for the worst….

 

Will and Anneka Dance Dance Dance while Izzie looks on.
Will and Anneka Dance Dance Dance while Izzie looks on.

It has been quite an experience. I’ve never written like this before – in a pragmatic and collaborative way, and it opens up whole new possibilities.  Fascinating stuff.

My thoughts?

How hard everyone has worked!  From Chloe, the sound and lights woman closely annotating the script, through the Belles learning lines, working the staging, perfecting their characters and applying themselves to selling tickets – through Joe Bishop working up his character, and how he has managed to arrange a surprise guest appearance, to Will Keel-Stocker making the music happen, arranging the scores and in between times learning his lines, too.  I suppose I have worked on it, too, but this has been such a positive experience it hasn’t felt like work.

Latest news is the Dress Circle is sold out, the stalls are nearly full and the theatre has now opened the Upper Circle.

You can get your tickets for Sing Sing Sing from the New Theatre Royal, here.  The show will be on Saturday 2nd February, at 7.30 pm.

A Farmhouse Somewhere In Northern France… (French Resistance)

The Three Belles - fond memories...

The scene: somewhere in Northern France British troops have pushed the Germans back towards Berlin and secured the perimeter. As the dust settles and a semblance of normality returns to the countryside a woman in the French Resistance comes out to greet the British.

Normandie, Aout 1944. French Resistance member.
Normandie, Aout 1944. French Resistance member.

A photographer attached to the regiment is on hand to capture the moment as she stands demurely with gun in hand, sleeves rolled up as if ready to do a job of work, no matter how unpalatable that work might be. She smiles enigmatically to the camera.  Is it a grin, a look of satisfaction, an expression that says that such young eyes have seen too much? Is it the  blatant confident flirtation of a young woman pleased to see the soldiers she has been waiting for?

Perhaps it is all these. It is a triumphal picture – the moment in history in which a young French woman is at last free to show her face again after the Normandy landings, and a moment in which she begins to transform into being a civilian once more. There is, no doubt, a degree of showing off in it, too. The moment is captured.

The picture, captioned only “Normandie, Aout 1944” is a little blurred, grainy and discoloured, but speaks plenty of the world to come when Europe is at peace again.

Find this interesting? For a longer view of how the modern world is connected to the  events of 1945,  come to Sing Sing Sing The Three Belles’ stage show on Saturday 2nd February at The New Theatre Royal, Portsmouth.

The Three Belles – Next Round of Rehearsals

Well, another fascinating day at “the office” with a full run-through of Sing Sing Sing. Will Keel-Stocker added an extra layer to the proceedings, with his easy smile and questioning brain.

There were some really interesting moments as The Belles took hold of their characters and begin to inhabit them more.  Here are some thoughts about each character, as I saw them start to blossom and grow:

Betty – rich, impulsive, living for the moment. Betty is neither good nor bad, but a bundle of self-interest whose real pay-off in life is enjoying the now. She’s also a Polar Responder. If you tell her she can’t do something, she’ll do it, just to prove you’re wrong. It makes her morally complex, and at times unpredictable – both in her thoughtlessness and her generosity. She is exciting because of it, prone to daydreaming and being creative – and is also morally ambiguous and certainly not the best person to go to for advice.

Gailpoor, smart, feisty – she’s a redhead who will put you in your place if you step out of line.  Gail is your salt of the Earth working class gal, who says what’s on her mind.  She’s all too aware of her vulnerability in a world in which her hometown is being flattened around her. Unlucky in love, she’s looking for a man who can do right by her, and although she is at times hostile to “Lady Muck” Betty, she also knows Betty has a certain careless charm that she wants to learn. Watch out for Gail losing her temper – because when she blows her stack, it’s nuclear.

DorothyA sweet-natured and honest young middle class woman who has just married, and whose man is away fighting.  Dorothy is steady, reliable and caring. She has a sweet generosity in her nature that is fed by her faith.  She always sees the good in people, and trusts in Providence that things will work out right.  She loves Gail and Betty very much, and although she sometimes becomes exasperated with the latter, she maintains an optimism that Betty will grow and mature in time to become a moral person.  Whether she is right, needs to be seen!

So, a few thoughts.  We are working on the final notes as we go along.  It’s getting exciting!

Tickets for Sing Sing Sing are available here.

The Three Belles – Sing Sing Sing Script Sign-off!

So, with two weeks to work it up, The Three Belles and I signed off the new incarnation of “Sing Sing Sing” on Sunday!

The Greenwich Court Wrens at play...
The Greenwich Court Wrens at play…

This came during a weekend which included a fantastic Saturday night at The King Street Tavern, where the Belles did their magic to a packed, raucous house.

I’d had my head down on the script all day, ironing out minor problems and reworking some of the  scenes from early morning, then turned up (flagging a little from not seeing the light of day!) at the pub to have it reconfirmed why I love working with these women. Brilliant is the word.

Back home, rather unsteady on my feet after a good few beers, then a quick review of the script with Anneka on Sunday morning  – and boom – done.  Great feeling sending it off, getting their minor edits back and then it was finished.

Things get lively...
Things get lively…

It’s a funny old thing. The work has been intense in a short time on this script and it leaves a bit of a hole for me to fill. That thing that happens when suddenly the close intense thinking you were doing comes to a halt. But then, I’m excited about  seeing it come to life.

Rehearsals, here we come!

Sing Sing Sing! will be performed on 2nd February 2013 at The New Theatre Royal. Click here to book now!

The Three Belles Rehearsals – A Few Thoughts

I had a fascinating day yesterday.

If you don’t know, I’ve been working with The Three Belles, a vintage singing trio, to develop storylines for Sing Sing Sing! a stage show to be performed at The New Theatre Royal in Portsmouth on February 2nd, 2013.

I came back from the rehearsal yesterday in which The Belles, Joe Bishop, Chloe Seddon (the fourth Belle) and I started to work through the script, find the weakspots and bring out its strengths.

The Three Belles - fond memories...
The Three Belles – Sing Sing Sing

The whole process of script creation has been a revelation for me.  I’ve always been used to working alone, but the time pressure on creating the script meant that the Belles wrote many of the scenes to a storyline I initially developed.

I was out of my comfort zone when this way of working was suggested.  I thought: “Boy, how will we be able to control the story arcs?  How can we direct the nuances between the characters with four different minds on it?  How do we maintain consistency?”

Then Anneka rolled up her sleeves and started turning out her scenes.  It was a genuine surprise to me – how easy it was to work in this way.

Then Sally and Issie did the same with their scenes, and I learned loads about how they approach their creativity.  Each Belle has her strengths.

Anneka is smart and quick – with a clear idea about what she wants from a scene.  She also is good at thinking structurally, and so is aware of how a scene moves a story on.  She is a natural strategist, I think.

Sally has this comic knack and an ability to really make a scene live. I believe there’s a whole load more to come from that fast-moving brain.

Issie was very aware of what she wanted from her character, and since I had already written most of her scenes, she was extremely clear about where the weaknesses were in what I’d written for her, and gave me clear guidance about it.

And so, in about a week, we pulled a script together.

Yesterday was the first rehearsal.  It was really positive.  We all pitched in, giving suggestions on direction, staging and cuts, etc.

There was a moment in the rehearsal room when I saw a different life stretch away behind me. What, I wondered, would have happened had I gone to Uni and studied the arts instead of English Lit and Philosophy?

The answer came back loud and clear.  To be honest, it would have been a disaster. I was so immature at Uni. Now is the right time to be doing this.

I loved hearing what the Belles and Joe had to say about the script. It’s all  part of a creative journey. The thing is, I trust the Belles. No egoes.  We just get on with it.

My final reflection is this: I came away with a feeling I haven’t felt for a long time. Satisfaction. Real deep satisfaction at doing something I absolutely love.

Well, that’s it for now. I have a script to work on!