Tag Archives: Art

The Death of a Bookshop – Blackwell’s Portsmouth

Sadly, after much imploring, petitioning and dissent among university and townsfolk alike, today sees the closure of Blackwell’s University Bookshop, Portsmouth.

The shop has been the most extraordinary hub, with writers launching numerous books here, academics and townsfolk alike mingling and sharing ideas, students supported and helped by an extremely dedicated staff and numerous authors coming to give talks about their work. It has been a place of meetings and information exchange, and an increasingly rare thing: an informal face-to-face meeting place where ideas can form and grow in discussion, where friendships and projects have begun. It has seen readings, art, music – and has been one of the major hubs of culture in the town for a fiercely loyal and surprisingly large group.

When I first heard that it was threatened with closure, I started a petition on 38 Degrees imploring the University of Portsmouth and Blackwell UK to think again. It got over a thousand signatures in one weekend. This bookshop was not only loved. It was needed.

As a casualty of the changing nature of information, the closure of Blackwell’s Portsmouth can be regarded in one light as a natural, even inevitable development. But it also shows a lack of understanding and imagination about how to really make it work. Its closure also reflects a wider matter: the disregard of large corporate entities for local communities. Bizarrely, the University has chosen to ignore the value it added to its own reputation and the service it provides its students in its headlong rush to milk money from the site in a more lucrative way. That will be to the University’s lasting shame.

So what really drove the closure of the bookshop?

The reality is that the idea of university died a death in Britain a generation ago. At least, the sort of institution I took my degree at in the early 1990s died a death. Even then, the idea of university was in the process of change, but there was still, in the slightly rarefied atmosphere of the philosophy department at York University where I studied, a sense that a subject had a value beyond its retail price conceived as a commodity. Back then, universities were, in fact, concerned with a wider issue – primarily, western culture, and also, with cultures more generally.

But the idea of the university as the custodian of culture is defunct. And, if you are of the mind that art and culture are byproducts of a successful economy, then you will take the accountant’s view that Blackwell’s University Bookshop’s passing is the natural function of economic Darwinism.

If, however, you place a value on culture beyond that of numbers in a bank account, then the demise of Blackwell’s is a belated weathercock for the way the wind has been blowing for the last thirty years.

Why, then, does this closure matter so much to me? Besides the personal support and purpose I found in the shop, it also strikes me that the closure of a bookshop in a town with high levels of illiteracy is the wrong way to go. Now, only one retail bookshop is left in a city of 200,000 souls, and that is a generalist shop on Commercial Road that piles them high and sells the bestsellers cheap. That is one reason.

But I am also struck by an irony. Thanks to the work of John Pounds, a figure from the 1830s now largely forgotten, the right to a free education in Britain was born in Portsmouth. Pounds believed that education is for everyone, including the poorest – and especially those who could not pay for it. That was a noble cause which eventually spread to the offering of education grants for all who made the grade, so they too could enjoy an elite education no matter what their personal finances. But, the decision to remove degree level grants has enslaved a whole generation with massive debt; the result is that the inevitable logic of economics has led to education being at the vanguard of cultural decline. From a social good, education and culture have been demoted to, simply, goods.

It used to be the case that education and culture were regarded as something more broadly useful to society than being retailed as employability skills, important though they are. It was held that the very nature of what it is to be human could be broadened and made richer through an education that transmitted the values inherent to an enlightened culture, those of understanding others, of creative endeavour, of articulate questioning and challenging of orthodoxy. That used to be the role of the university. There was also a general belief that having people educated in this broader sense spread out as a good to society generally. This belief made the criteria for political and social decisions include aspects of life other than those dictated by basic economics. This view of education was the symptom of a holistic view of society and culture.

Now, however, pure right wing economics are our master.

Some will argue that art and culture are byproducts of civilization – that our ancient forebears in the spare time between hunter-gathering needed something to do with their lives and so created art to while away their hours. Those people imagine that our ancestors, like us, came back from a hard day’s hunting in the savannah, and in the absence of a flatscreen television amused themselves by gawping at the Lascaux cave paintings – square-eyeing away the winter evenings for 20,000 years until their successors could eventually come up with Netflix.

This reductionist view of culture sees art and artistic endeavour as non-essential. It is the epiphenomenon of commerce. Artists and writers and poets and creators exist because they are supported by the real activity of life, which is all hard facts, and especially hard coin.

It is not a view I share. To me, it has become obvious that looking at the general degradation of culture over the last thirty years being spearheaded by universities such as the one in Portsmouth, we are slowly going backward. We are devolving.

There’s no doubt that hunting and gathering enabled early humans to work in co-operative hunting groups; that it led to a particular type of social cohesion in the form of tribes; that it led to the necessity of building an understanding of the world around them – nor that all these are the foundations of modern life. No doubt, all these social behaviours are products of the activity that provided ancient humans with food and fire and safety – activities that would later be labelled economic.

But the ability to progress did not come from the act of hunting alone. Before the act of hunting in groups, someone had the idea that humans could work together, could find a way to trap an animal, could find food by hunting in packs. Every advance in human life is the result of an act of imagination, every advance comes from the visualisation and the discussion of ideas and possibilities. Yes, it is true that groups of creatures other than humans hunt in unison and do not paint cave walls or discuss Sartre over coffee, but none of those animals has the imagination to shape a flint or attach it to a spear, nor possess all the fine gradations and nuances in thinking and language that humans have, that have led to our rise over millennia. Ideas were born and passed from one generation to the next by culture and the spaces in which culture is transmitted, be they caves, temples – or bookshops.

That is why the sacred spaces of ancient cultures are covered in paintings, spells and words. That is why ancient civilizations such as the Babylonians sculpted creatures that were impossible in the real world, but which stepped straight from the imagination. It was not simple superstition expressed in the statues of ancient gods, it was not that artists and thinkers created fancies while the real business of the world continued on despite them. Statues of ancient Gods and the rituals that surrounded them were central to the running of society, to civilization’s understanding of the world that was disseminated through temple rituals. Culture and the transmission of culture is humanity at its greatest. It has precedence over narrow economics.

And so we come to Blackwell’s University Bookshop, Portsmouth, and its closure.

There are arguments that the days of the book are long past. That with the coming of digitization and with the ability of students to access material online, there is little need to produce books. Indeed, books are a terrible waste of resources, and the world is a greener place without all that woodpulp being converted. Think of the environment, we are enjoined. Think of the planet.

But this is to miss the point of the rituals that occurred in this bookshop. Book launches, author talks, informal seminars, discussions, sharing, recommendations are more than stock-in-trade. Bookshops are not only purveyors of books, at least the good ones like Blackwell’s in Portsmouth, aren’t. That good will could have been monetised, but the University wanted the site of the bookshop for another project.

A British university didn’t see the value in keeping its only functioning bookshop open. Let that thought sink in a while. Because it really is as simple as that.

Portsmouth’s Blackwell’s was a space where ideas could be disseminated, beyond the economics-driven imperative of university finances. It drew people to it that were not connected to the university, and they met with students and lecturers and ideas were shared. Culture happened – spontaneously. Blackwell’s, Portsmouth, was, in fact, a means of the transmission of culture just as the sacred spaces once were to our forebears. It was in its modest, modern way, a temple to civilization.

Blackwell’s wasn’t only about commerce. It was about humanity in a wider sense. It was about standing up to the cost-benefit analysis view of life and saying “what we do, what we think, is vital because it is human, despite you” in the face of the machinery of bean-counting that pays lip service to such ideas, but sacrifices culture and ideas to its own calculating god, Mammon.

My call, now, is that in its passing, we continue the rites enacted at Blackwell’s Portsmouth, and work to preserve culture. That we do so, despite the decisions of businesses like Blackwell UK, and the value-free institution that is the University of Portsmouth.

Why enhancement of Old Portsmouth’s arches is a good thing.

I just had an email through from petition site 38 Degrees about petitions regarding the Portsmouth Arches.

Part of the arches enhancement

They wrote that “Anita”, the petitioner who wants to “save” the arches, argues:

“Please do not allow Old Portsmouth’s historic arches to become low-rent art studios, cafes and a brasserie. Residents are objecting to this development for the same reasons that any person would object to a proposal to plant a café in the middle of Stonehenge.

What we have now is an area of international repute and interest. Once it has been tampered with, it will have gone forever.”

Here is what I wrote back:

Hi,

Thanks, I have already voted.

I will be clear about this. Those arches are NOT comparable historically to Stonehenge – making such a statement is idiotic and shows a lack of understanding of the relative importance of 1) a UNESCO protected World Heritage Site on the one hand and 2) a cleared building site that has been too long neglected on the other.

The Barracks whose foundation outlines can be seen on the ground outside the arches were knocked down in the 1950s. The arches are all that remains of that complex of buildings, being the place where the gunports designed to protect the harbour were sited.

If your nimbyist is so keen on historical authenticity, then I suggest she petitions to get the barracks rebuilt, a thousand or so soldiers billetted there, the pubs reopened down the road, the brothels opened at Point and some good old-fashioned interservice fighting arranged for the weekends.

The cleared ground that sits by the arches at the moment is prime development ground, and the current empty space exists at a transitional point between developments on the site. It has been left like this for far too long and people have simply got used to it. Its current status is that of an abandoned development site.

The phrase “low rent” arches implies a certain snobbishness in your petitioner’s attitude, as if somehow that is a bad thing. Drawing artists into areas has been shown time and time again to be an asset to an area. Viz St Ives, Hackney, Brick Lane, etc.

I believe that development at the arches in the manner suggested will have two positive effects:

1) it will support art in the area, hard on the heels of which will follow money and will raise property prices even further in this area.

2) it will put good use to a dust-blown empty space that reeks of piss after a Friday night, while protecting it from being developed more fully.

A win all round.

Anita can swivel.

Thank you,

Matthew Wingett
Freelance Writer

To vote – here are the two petitions:

https://secure.38degrees.org.uk/enhance-arches

https://secure.38degrees.org.uk/save-arches

Arts and Their Impact on Human Relations – by Maha Moussa

I have a guest writer on the blog today.  I first met Maha Moussa 10 years ago while I was working for the British Council in Cairo.  Maha was interested in learning English, and was a wonderful hostess to me, taking me around the markets and secret places of Cairo, walking along the Corniche, teaching me about Egyptian food and taking me to cultural events, including Sufi dancing.  It was a wonderful time.

When I moved back to the UK, we lost touch, until one day she popped up on facebook and said “hello”.  Maha has lately been studying English again, and she sent me an essay that she wrote for her teacher.  I was impressed by it, not just because of the competency of the English, but because Maha engages with her subject with a great deal of honesty, joy and optimism.  It is the second essay she has written on the course.  Before now, Maha was all self-taught – writing to friends in the West, and meeting Westerners in the markets.  I think it is impressive for that feat alone – but above and beyond that, she raises some really wholesome points and some great, uplifting descriptions.  It is very different from the way that I write – and I hope you enjoy the change!

Arts and Their Impact on Human Relations – by Maha Moussa

Music, Singing, Dancing, Drawing, Poetry, Movies, and Plays, each of them is an important aspect of the culture of different countries and their civilizations. As such, they help us to form our ideas of life with many different perspectives.

Maha Moussa - A Friend From Cairo
Maha Moussa - A Friend From Cairo

There is no need to learn to be an artist, or even to study The Arts in order to feel the beauty which we see in the painting of the great works of Leonardo Da Vinci, or in the painting of an unknown person who lives in a slum area in India, for example.  Napoleon Bonaparte said: “A picture is worth a thousand words”, and yes, this is true . There is also no need to speak several languages to be able to enjoy the wonderful music and songs that we listen to in different languages. All we need is to learn how to feel, to see, and to listen to these inspiring arts, by using our senses, our hearts, our minds and our consciousnesses.  We can follow our desires to become acquainted with other people’s cultures and deal with them on a human level through their arts. That is all that we need to appreciate art.

One of the most famous quotes by Victor Hugo is: “Change your opinion, keep to your principles, change your leaves, keep intact your roots”. Thus, to be proud of our roots, our civilization, and our culture’s artistic heritage is something truly good and healthy. This sense of pride should help us to have a deep sense of understanding and respect for the cultures and arts of other countries, too. It gives us a wonderful chance to know more about the arts that contribute in some way to shaping the hearts and minds of other people, and affects our ways of dealing with each other in life. The fact is that, the global exchange of arts between countries, such as music, singing, dancing, drawing etc., provides opportunities for humanity to open the door of knowledge, to help people to add richness to their values, their dreams, and their ambitions to create a smooth path to communicate with other wonderful people around the world, and accept their differences.  In this way, we learn to accommodate others in a way that is less severe or intolerant, regardless of their beliefs, their customs, their religions, their nationalities, or even their lifestyle. This shared gateway frees us to meet each other naturally and respectfully with more flexibility, respect, and tolerance.

Someone once said about music: “Music expresses feeling and thoughts without language; it was below and before speech, and it is above and beyond all words.” So, if anyone has the opportunity to watch or to listen to any of the various music performances that come to Egypt from different countries such as: Korea, America, Zambia, France, Ireland, Pakistan, or India, etc., I think that the most useful way to be able to enjoy and feel this music is to let your soul go free and clear your mind, as if you are traveling to those wonderful countries and attending these performances by yourself. This is my advice from personal experience.

A few months ago, in the last Month of Ramadan, I was attending one of the greatest and most talented performances that I have ever seen in my life, along with one of my foreign friends, who was working in Cairo at the time. This wonderful show was one of religious music. It was the international annual festival of “Samaa for sufi music and chanting“.  It was a new cultural event that started 2 years ago. It is held annually during Ramadan, in one of Cairo’s oldest and most iconic Islamic buildings, El Ghoury Dome, or Qobat Al-Ghoury. The event I attended this year at the festival had bands from many countries, such as: India, Morocco, Spain, Turkey, while the core band had members from Egypt, Indonesia, and Akabila. This wonderful performance was a mixture of Islamic religious chanting, Coptic hymns, and Opera songs, at the same time. All of these bands were glorifying God, and His messengers Moses, Jesus, and Mohammed, but with many languages and in various musical styles. They provided to the world through their music ”a message of peace“, to explain that God created us equal. Regardless of the religions or the beliefs we follow, we all are humans. When my friend and I were listening to them, we felt as if the amazing music and sounds came to us from heaven. All we could do was just enjoy the Islamic Sufi chanting and the Coptic Hymns and we felt that there was no difference between them. When the whole group said the same words together, such as; Allah, God, Mohammed, and Jesus, we became surprised at how they felt the pleasure and the power of their words, and how they transferred that feeling to us, even with our inability to understand most of the languages in which they were performed. We had no choice but to respond to their music and their songs.  Really we felt as if we had already traveled to each country.

In my opinion, there is no specific way to enjoy the different kinds of arts; every person has the absolute freedom to see, to listen, and to taste the art in the manner that suits him or her. Art and freedom are two sides of one coin. Thus, our freedom creates a sense of love, care, tolerance, and respect between peoples. So let us know and learn more about each other from our arts and our cultures. They translate many great and deep meanings in life into one common language we can all understand. Art provides us with convincing answers to many questions that we have in our minds about others, and the answer always is this: that we are all human, just human.